Show: Star Trek; Deep Space Nine
Episode
Particulars: S2EP23, “Crossover”
Standalone
Thoughts: This episode may be very dark in tone, but it’s a lot of fun from
a fan’s perspective. Not only do you get to see the characters you’ve
(hopefully) come to like at this point with different personalities and ways of
acting, but long time Trek fans will
get an extra kick out of how the writers are playing with the canon. I believe
the TOS episode “Mirror, Mirror” was
a fairly popular one, so revisiting it in the 24th century is an
understandable choice. To go one step further and say that the events of that
episode shaped the entire course of the Mirror Universe is a bold move, but I
think the writers handle it well. It’s also believable, in a way—after all, a
lot can change in a century. Do you think the people of 1917 had any idea that
we’d be where we are today? By that standard, one empire falling and being
replaced with another is kind of par for the course as far as history goes.
As for the aforementioned acting, I’m pleased to report
that all of the actors bring their A-game. Pretty much all of the mirror
characters have different, darker personalities, but they’re played in such a
way that we can see familiar aspects in them. Odo’s sternness has morphed into
complete authoritarianism, Quark is still underhanded but with a more obvious
compassionate streak, and Kira and the Intendant have an entire conversation
about what makes them different yet similar. The only two who don’t fully fit
that mold are O’Brien, who is pretty much the same as he is on DS9 with perhaps
a slightly more cynical edge, and Sisko, who has a much bolder, brasher
personality. Even then, though, it doesn’t necessarily feel out of character
for him, so it fits with the broad intent of the episode. Meanwhile, Nana
Visitor plays both Kiras very well, and while Bashir isn’t very promising at the
start of the episode (see below), he does prove that he’s resourceful,
quick-witted, and good with words when he needs to be. In short, a creative
premise, good writing, and great acting make this a very enjoyable episode,
with just the right amount of humor and darkness to make it entertaining
instead of overly grim. And since I’m not overly fond of “grimdark” material,
that’s something I wholeheartedly encourage.
How it Relates to
the Whole: While it doesn’t relate to the main storyline, we’ll be
returning to the Mirror Universe a few more times over the course of the
series, so like the Ferengi episodes, these should be noted as a subplot of
sorts. If memory serves me right, there’s a story arc in and of itself here as
we move forward, so I’ll be curious to see how that all plays out.
Other: *So,
about Bashir in the teaser. After a very long spate where he was slightly
awkward, but not in a distracting way, he spends a good two minutes being the
oblivious, overly talkative Bashir from Season One, getting more and more
cringeworthy as he goes. He does improve, thankfully, but that opening does
feel like a step back. I do find it interesting, however, that Bashir’s biggest
moments of personality shift have occurred when he’s around Kira. Either he’s
slightly intimidated by her and runs his mouth off in an attempt to put himself
at ease and/or try to make friends with her, or it’s somehow related to what
was going on behind the scenes (Siddig and Visitor eventually got into a
relationship, though I’m not sure at what point that started). Yet another
small thing to pay attention to.
*When Bashir and Kira first arrive in the Mirror Universe
and are boarded by some Klingons, the camera is at a much lower angle, shooting
so that the actors tower over us. While it’s noticeable, it’s also pretty
obviously been done that way on purpose to be disorienting, so kudos to the
cameramen.
*It’s a nice touch that, when the Intendant mentions
Kirk, Kira has no idea who he is. Because while he’s a legend among the 24th
century humans (and 20th-21st century fans), most aliens
probably aren’t that familiar with him, especially if they’re not part of
Starfleet or the Federation. This is emphasized when Kira asks Bashir about
Kirk later, and Bashir confirms that they read about Kirk, and the Mirror
Universe incident, at Starfleet University. Another excellent example of fairly
subtle worldbuilding.
Best
Line/Exchange: After denying Garak the best line in “The Wire”, I feel like
I should give him the honor here;
(Garak has been
explaining to Kira that the Intendant trusts her)
Kira: All you
have to do is take a look at the guard outside to see how much she trusts me.
Garak: I
arranged the guard. Oh, she trusts you. As much as she trusts anyone. So who
better to betray her?
Kira: You’re
taking quite a risk coming to me like this.
Garak: True
career advancement requires risk.
After the stories Garak told in “The Wire”, it doesn’t
seem surprising that his counterpart would be more than capable of this sort of
“career advancement”, thus meaning that the previous episode laid excellent
groundwork for this character interpretation. It’s also the exact sort of sly
phrasing we expect from Garak, but with an edge that we’ve only caught glimpses
of until now. And yet Andrew Robinson plays it in such a way that it feels
perfectly natural, so much so that we wouldn’t necessarily bat an eye if “our”
Garak acted like that (as long as we had some proper setup). See, this is why I love his performance so
much, and why Garak is my favorite.
After the Fact
Update: Interestingly, the DS9 Companion
reveals that Worf from TNG was
supposed to be in this episode, but actor Michael Dorn was unavailable
(probably in the process of shooting TNG’s
finale). So “many of Worf’s lines went to the mirror Garak”. I hope that
doesn’t include my pick for Best Exchange; it just doesn’t feel like a Worf
line to me.
Thanks for the trip down memory lane. I had forgotten how good the Mirror Universe DS9 stories were. Also looks like the producers have suddenly figured out that some of the supporting characters are worthy of development.
ReplyDeleteRaises the question though, do you think they are starting to de-emphasize Dax? We have read a lot recently about O'Brien and Bashir and Kira and Sisko and Odo and even Garak, but Dax? Can't recall her as being critical to anything recently. Am I right or is my anti-Dax bias showing?
"Also looks like the producers have suddenly figured out that some of the supporting characters are worthy of development."
DeleteYep. Garak's finally coming into his own, and Dukat's starting to go somewhere. And Winn and Bareil start getting a little more attention as of today's episode. No complaints here.
Dax got two episodes in rapid succession ("Playing God" and "Blood Oath"), and since it seemed to be a trend this season to give characters several episodes close together (remember how O'Brien got three in a row?), they may be ignoring her because it's not her turn in the cycle. Thinking back over it, though, she's barely done anything in the episodes since "Blood Oath", so you may be right. So to answer your question, it's too early to tell. We'll have to see what happens in Season Three.