Show: Star Trek; Deep Space Nine
Episode Particulars:
S7EP16, “Inter Arma Enim Silent Leges”
Standalone
Thoughts: I know some people think Section 31’s existence goes against
everything that was Gene Roddenberry’s vision for Star Trek, but I like the idea of them. If handled right, they can
be a subtle commentary about how the world isn’t perfect, and in the specific
context of Deep Space Nine, they
could have been a good source of conflict. A subplot about Bashir joining
Section 31 to learn more about it for Sisko and having to struggle to both
maintain his cover and not do anything too abhorrent would have been great.
This episode feints in that direction…but it doesn’t quite get there.
Interestingly, both the episode specific and general
issue boil down to the same thing; what exactly is the plan here? Bashir’s
mission contains so many new assignments, twists, and complications that it’s
hard to figure out exactly what’s going on, and while that makes a certain
amount of sense given that this is a spy story, the reveal/explanation of
everything at the end doesn’t feel wholly satisfying. Perhaps it’s not meant to
be, since this is a story that revels in its grey morality, but we should at
least be able to applaud the story for clever writing. This just feels muddled,
and even if the speeches near the end are meant to be profound, we can’t shake
the fact that things are being told rather than shown.
That’s nothing compared to the bigger picture, though.
Sloan/Section 31 wants to be as secretive as possible, but they don’t care that
Bashir blabs about their existence to Sisko? Maybe they knew he either wouldn’t
be believed or that they covered their tracks well, but is that a risk a spy
organization really wants to take? Sloan wants to recruit Bashir, but he takes
almost a year to try again after his first attempt? If he really was the type who
“doesn’t take no for an answer” as Sisko said in “Inquisition”, shouldn’t he
have been trying to get his hooks into Bashir much more regularly? Not that
Sisko’s logic makes much more sense. He wants Bashir to pretend to work for
Section 31…why? Is the plan to expose them to make people more aware of their
presence? To stop them from doing particularly heinous things like
assassination? To get rid of them altogether? Like I said, Bashir outfoxing
Section 31 would make a great plot thread, but it’s harder to be invested when
you don’t know what goal he’s working towards.
I’m not saying I hate this episode. Certainly it feels
more compelling and relevant than a lot of the other episodes I’ve had issues
with this season. But it’s definitely not a great episode either, even with all
the potential. Fortunately, unless my memory has failed me entirely, we’re
about to enter the final push, when everything ramps into high gear and the
stories get much stronger. And given
the unexpectedly mediocre quality of a good deal of this season’s episodes, no
one’s more excited about that than I am.
How it Relates to
the Whole: This episode marks the return of Section 31, and while the plot
that spins out here isn’t directly related to future events (although it does
call back to “The Quickening”, which allows for some continuity), it lays out
more of the group’s mission statement, which will come into play during the
final push. Although you’ll be forgiven if it doesn’t feel like it at the
moment.
Other: *For
those who like semi-crossovers, the ship that Bashir takes to Romulus is the same
sort of ship (I think they’re called Intrepid
class) as Voyager, which means
that the showrunners got to use the Voyager
sets to shake things up a bit. They’re not obvious about it, though, which
is fine by me; personally, I prefer to be reminded of Voyager as little as possible unless SFDebris is involved.
*I like the fact that Sloan adopts a more nasally voice
when he’s posing as a cartographer, no doubt to make people assume he’s a nerdy
type and therefore not particularly suspicious. Sometimes, it’s all about the
little details.
Best
Line/Exchange: Given the somewhat convoluted nature of the plot, it stands
to reason that I had trouble picking a best line. So I’ll use one of my usual
gambits when it’s hard to find something—rely on Garak to help me out;
(Garak and Bashir
are discussing Bashir’s trip to Romulus)
Garak: I trust
that Starfleet Intelligence will be sending someone along to make good use of
this opportunity.
Bashir: What do
you mean?
Garak: Well,
isn’t it obvious? This is a golden opportunity to gather intelligence on
Romulan intentions and military capabilities!
Bashir: They’re
our allies, Garak! And with any luck, this could be the beginning of an
entirely new friendship between our
peoples.
Garak (shaking
his head and rolling his eyes): The
eternal optimist.
Bashir: Guilty
as charged.
Garak: How sad.
I must tell you, I’m disappointed at hearing you mouth the usual platitudes of
peace and friendship regarding an implacable foe like the Romulans. But I live
in hope that one day, you’ll come to see this universe for what it truly is
rather than what you’d wish it to be.
While I disagree with Garak’s feeling that people should
lose their sense of hope and optimism as quickly as possible, I’m…kind of in
agreement with him about using the opportunity to gather data on the Romulans.
“Keep your friends close and your enemies closer”, after all, and while I
wouldn’t go as far as Sloan (as Bashir says, he’s planning for the next war
before this one’s even ended), they’re both right that learning what you can
when you have the chance isn’t a bad idea. I just support Garak more because he
appears to be less nasty with his intentions.
After the Fact
Update: There’s no explanation in the DS9
Companion as to why this episode was switched with “Badda-Bing Badda-Bang”.
Given that the writers deliberately created “Badda-Bing” to have some fun
before the big final push, swapping the two episodes makes even less sense. Fortunately,
Memory Alpha came to the rescue on this one; apparently the studio thought it
was a good (and expensive) episode, so they decided to air it during Sweeps
week. They weren’t exactly wrong to do so, but it’s another example of studio
meddling interfering in author intent. But such is life, I guess.
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