Show: Star Trek; Enterprise
Episode
Particulars: S1EP20, “Detained”
Standalone
Thoughts: I actually really like this episode, which is weird because it
becomes obvious partway through that this is supposed to be a preachy episode.
There’s a long scene where one of the prisoners (Dennis Christopher) explains
how the Suliban were put into these “detention complexes” thanks to the
suspicions of the Tandarians, and Archer even drops the words “internment
camp”. Similar exchanges are scattered throughout the episode, and Archer later
comes right out and compares the situation with the Suliban to the Japanese
internment during WWII. Some of this brings the episode down, to be sure, but
not enough to dampen my enjoyment of the whole, which should tell you
something.
The reason I like it is that it continues to play with
our expectations regarding the Suliban. After basically being bad guys in
“Broken Bow”, we got a hint that things weren’t so black and white in “Cold
Front”. Now things are taken a step further, and we’re reminded that not all
the Suliban are bad, while being further reminded here and there that just
because someone’s not evil doesn’t mean they’re nice, either. Plus, Grat’s
argument for why the Suliban should remain imprisoned, while unpleasant, is at
least somewhat plausible, something that also seems to be acknowledged by the
ending. It’s a really excellent example of grey morality, and that more than
made up for the more soapboxy elements.
The plot is the big thing here, but the other elements
work pretty well too. All the acting is good, the teaser is intriguing for
once, there are some nice touches that make the detention complex feel lived
in, and the climax is well-paced and feels exciting because of all the moving
parts. Sure, there are a few conveniences and contrivances along the way (two
words; head count) but they’re minor in the grand scheme of things. It’s
episodes like these that remind me how good Enterprise
can be when the crew puts their mind to it; the other episodes have been
fine, but this makes an official jump from “decent” to “good”. Since we’re
nearing the end of Season One, I’m hoping that means that we’ll be getting more
like this soon.
How it Relates to
the Whole: While this ties into the Suliban/Temporal Cold War plot in a
way, I don’t think there’s any followup to this. Which is a shame, because
given the nuance the writers have been giving the Suliban, having a sequel to
this episode where we got even more shades
of grey would probably have resulted in a story than was just as good, if not
moreso, than this one.
Other: *Thanks
to an overhead shot of Grat’s office, I couldn’t help but notice that there
appears to be a geode on his desk;
Using random items for alien cultures isn’t unusual for Star Trek (also take note of that rug),
but I’m just wondering what that geode’s supposed to do. Given how utilitarian the desk looks, it can’t just be for
decoration. Is it a recharging station for the cattle prod?
*T’Pol sounds oddly…animated
during a key discussion with Grat. It’s like Jolene Blalock dropped the
usual Vulcan affectations and just spoke in her normal voice. I understand what
the intent was, but it doesn’t quite jibe with T’Pol’s character. The words
make sense; the tone doesn’t. But since there is a rational explanation for it, I’m not going to judge it too
harshly.
Badass Malcolm
Moment: Unfortunately, I can’t go into details today, because I don’t want
to spoil things too much. Suffice it to say that Malcolm’s involvement in the
final act is instrumental to proceedings, and he put up with a lot with only
minimal complaining. Whether or not Dominic Keating did the same is less
certain.
After the Fact
Update: No indication on whether or not Keating complained, but I did find out (though I’m sure it’s
common knowledge to some of you) that Scott Bakula and Dean Stockwell had been
co-stars on Bakula’s other big show Quantum
Leap, and this episode was a deliberately orchestrated reunion. However,
there was only one subtle reference to Quantum
Leap, which was probably a good idea, though I wouldn’t have minded more as
long as they weren’t overdone. Then again, said references would probably have
just flown over my head, but if it was for a show I knew, I’m pretty sure
that’s how I’d feel. The writer for this episode (Michael Sussman) also said
working on this episode just confirmed that he hated message episodes, and
while I share his sentiment in general, I’ve already stated that this is a good
example of the form. Maybe his hatred of the genre allowed him to remove some
of the worst aspects of it and thus make it tolerable to me.
No comments:
Post a Comment