Show: Star Trek; Deep Space Nine
Episode
Particulars: S1EP12, “Battle Lines”
Standalone
Thoughts: This is a pretty good episode, both in terms of plot and
character development. Sure, the plot is one we’ve seen countless times before—two
sides locked in an eternal war that nobody seems willing to stop—but it’s a
decent variation on the form. Shel-la gets a monologue about how one stops
caring when one cannot die that nicely sums up one of many issues that come
with immortality, and the character in general is a good mix of flawed and
sympathetic. And the episode’s ending is bittersweet, but at least offers up a
glimmer of hope, which is generally the second best thing to a (earned) happy
ending.
Character-wise, we can see that Sisko and Kira still have
different ways of viewing the world, and that can lead them to angrily disagree
on occasion. There’s a lovely moment where Kira is outlining defensive
strategies, ignoring Sisko’s increasingly sharp requests for her to stop, only
for her to immediately go quiet when Kai Opaka speaks up. It shows us where her
priorities lie, and that those priorities don’t always dovetail with the Federation’s,
which means that there will still be conflict down the road. Really, Kira’s
generally the overall strongest character so far, so I always appreciate it
when she gets a lot to do.
That being said, Kira’s given an emotional breakdown and
potential character breakthrough midway through the episode that I think could have
been better handled. The material itself is good (if a little cliché), but it
kind of comes out of nowhere. This seems like something that should have been
saved after the show really gave us a sense of what happened during the
Cardassian occupation and Kira’s role in it. As it is, it seems like a bit of
an overreaction given what we’ve seen in both the episode and of Kira’s
character in general. I understand in part why they did it now, but I think it
would have worked better if this episode had been saved for a little later in
the season. Once I get through the remaining seven episodes, maybe I can figure
out a better placement for it.
Finally, after dedicating several hundred words to
complaining about how nobody knows what they’re doing with Bashir, I’m pleased
to report that we finally get a glimpse of the Bashir I remember. He’s still a
little awkward in non-medical situations, but he’s smart, resourceful, and
authoritative when the chips are down. I’m guessing this isn’t going to last,
but at least it’s a pleasant reminder that Bashir’s eventually going to find
his equilibrium.
How it Relates to
the Whole: On a minor level, this episode opens up the possibility of Kira
loosening up and becoming less aggressive. But since this sort of thing doesn’t
(or rather, shouldn’t) happen overnight, I’ll have to keep an eye out to see
how long it takes for Kira to actually start doing so. For larger elements, the
loss of Kai Opaka will set a chain of events in motion that not only will allow
us to see more of Bajoran spiritual culture, but eventually give us a character
who plays a large role in the major events of the plot. There’s also a hint at
the very end of the episode that Opaka and Sisko will meet again, though there’s
still no explanation as to why Sisko is so important. I’m not sure how long it
will take before any of these plot points really start to be explored (though
based on the titles for the rest of the season, I think the Sisko thing has a
good chance of being looked at), but at least there are a few tantalizing hints
to keep me guessing on this rewatch.
Other: *It
seems odd to me that Kira and the others would call Kai Opaka “Opaka”. I do it
just to save myself a few keystrokes, but given that she’s the spiritual leader
of their planet, I would have thought everyone would call her by her title, or
some sort of honorific. Then again, the Bajorans use the “last name first”
system that’s more prevalent in Eastern countries (“Kira” is, in fact, Kira’s
last name), so maybe this is relatively normal.
*When Sisko is explaining the distance between the Alpha
and the Gamma quadrant to the Kai, he mentions that it would take their fastest
starship sixty-five years to get from one area to the other. And once again, I
wonder if someone was trying to gradually get us used to that idea, so they
could spring Voyager on us later down
the line.
*Maybe I missed something, but I could swear that the
Ennis and the Nol had agreed not to bring weapons during the cease-fire
discussion. But as you can see in my screencap above, both sides brought
knives, axes, and spears. Maybe the ban was only on energy weapons?
Best
Line/Exchange: There are actually two exchanges that fit a similar theme,
but I chose the one that was slightly less technobabbley;
(Dax and O’Brien
have finally tracked down the damaged runabout and are trying to figure out how
to get their people off the planet.)
O’Brien: See?
They’re putting out a mutual induction field that would block out 99% of all
transmissions to and from the surface.
Dax: Is there
any way for us to get a com line through the field?
O’Brien: Well,
I’ve got one percent to work with, don’t I?
Hmm…an engineer with an accent from the United Kingdom
who constantly manages amazing technological feats. Where have we seen that before? It’s a pretty blatant
homage, but a charming one nevertheless.
After the Fact
Update: The DS9 Companion says that the decision to put
Kai Opaka on the moon was to throw the audience for a loop; instead of some
random redshirt, they’d be killing a “recurring character”. The only problem
with that is that Opaka wasn’t a
recurring character, at least not in the sense that I think of it. She appeared
in the pilot, and that’s it. To me, a recurring character is someone like Rom
or Nog, someone who appears fairly regularly but not in every episode. This
also blows a hole in my theory that they had a grand plan in mind when they
decided to “kill” Opaka off. Still, someone later went through and figured out
how to make it work, so I’ll still give the writers credit…just not as much
credit.
I get the sense that we are getting small seeds planted of the future, but they are only small seeds. A rough list, Sisko as emissary, Odo as a member of a larger species, Gamma Quadrant exists, Bajorans don't like Cardassians, Quark is devious but has the weakness of caring for others, Kira is conflicted.
ReplyDeleteOther than that, we have character development, some better than other. Bashir may have multiple personalities (maybe the Trill is maybe really in him!); conversely, the Trill has apparently stripped Dax of any personality. Jake is a generic kid, Sisko is enigmatic (or maybe they still don't quite know what kind of commander he is yet), and Keiko is hiding the personality of a ruthless mass murderer inside a completely bland facade (strike that, she is just bland).
Am I being unfair, or is DS9 off to a blah start overall? I know it becomes great, but based on your reviews, here we are more than halfway through the first season and I get the sense that while at times the show is fun and good, overall it is nothing special. Would you agree?
"Keiko is hiding the personality of a ruthless mass murderer inside a completely bland facade (strike that, she is just bland)."
ReplyDeleteI like that, on multiple levels. I'm pretty sure she's going to be showing up again soon, and I'm already bracing myself.
"Am I being unfair, or is DS9 off to a blah start overall? I know it becomes great, but based on your reviews, here we are more than halfway through the first season and I get the sense that while at times the show is fun and good, overall it is nothing special. Would you agree?"
No, there's truth to that. I may be talking it up a little more than it deserves because I know it gets amazing later down the line, but if I'm honest, right now they're mostly following the TNG formula of "situation of the week". The character work is good, but how much of that was planned and how much of it was the actors selling their parts, I can't say. I think the show is still struggling to find its own voice, like a lot of first seasons do. This one just has the added difficulty of having an older sibling that's setting the example, for better or worse.
By the way, in answer to your question about DS9 as Western fort in a previous comment, I have to say I'm not really seeing it. I think a lot of the episodes so far could have taken place on a starship or a random planet. And instead of taking place entirely inside the fort, the group is making excursions into the territory (see this episode, last episode, and the episode I'll be posting today). About the closest we get is Quark's as a stand-in for a saloon. Maybe this will change later, but for now, it's more of a superficial comparison than anything.