Show: Star Trek; Deep Space Nine
Episode
Particulars: S5EP11, “The Darkness and the Light”
Standalone
Thoughts: This is another episode that primarily works because of the
atmosphere. Unlike “The Assignment”, though, the atmosphere on display is
tension mixed with sadness. Not only are we nervous on Kira’s behalf, but we
feel for her as she loses people she cares about. On that note, bringing back
familiar faces from a previous episode (“Shakaar”), was a great move, because
we recognize them and subsequently makes any harm done to them have more of an
impact on us. And naturally, it helps that Visitor plays the part very, very
well. It was probably never destined to be a great episode, but all of the
parts combine to make it a relatively good one.
It does fall apart a bit at the end, though, when the atmosphere
goes full-on horror. Sure, the lighting and mood are still effective, but the
villain is of the “babble something pretentious sounding” variety, and that can
very easily go wrong. Still, enough actual conversation occurs that I’ll credit
the episode for once again throwing shades of grey on the situation, even if it’s
only slightly touched on in the episode itself. Plus, the resolution to the
conflict was set up at the beginning of the episode in a fairly subtle way, so
the writers get a few more points for that too. And all those points add up to
an episode that’s not the best, or even the most memorable, but definitely far
from the worst.
How it Relates to
the Whole: I don’t think this episode has much of any impact on subsequent
episodes, especially given the ending. That’s fine; after all the setup in “Rapture”,
there probably wasn’t anything left over for this episode.
Other: *Since
I keep going on about Dax’s lack of consequences, I figure I should give credit
where credit is due and acknowledge that today, we learn that she was beaten at
Tongo because she got cocky and now owes someone money. It all happened
offscreen, but at least it’s something.
*While the death of one of Kira’s fellow resistance
members isn’t all that graphic, the charred remains of the body we see
afterwards certainly is. It may not be gory, but I’m still surprised they were
able to show that much. Or maybe that’s just me being a little squeamish.
*I like the fact that the crew calls on Nog to help them
try to identify who made the threatening recordings because of his hearing
ability. Sure, the writing has to draw attention to that fact, but that doesn’t
diminish the fact that they’re using him in a clever way.
*I also like Kira’s monologue where she details the first
mission she ever went on. Visitor plays the scene well, and it gives us more
insight into Kira, including the significance behind her Bajoran earring. It’s also
probably one of the most important scenes in the episode, since it sets up the
climax, so I’m glad it managed to work as well as it does.
*At one point, some data gets deleted from a computer.
And all I can think of is, “And there’s no way to recover that data? This is
the 24th century, and there are ways to recover that data here in
the 21st century!” Just goes to show how much computers have entered
our lives at this point, I guess.
Best
Line/Exchange: Since this is yet another episode with very little dialogue
that stands out in a way that isn’t either spoilery or cringey, the best I’ve
got is;
Sisko: Prepare
the Defiant, I want to leave in ten
minutes. See if we can pick up her ion trail.
Worf: It will
be difficult. Our sensor logs show Major Kira masked her engine emissions with
a polaron field. The runabout’s particle…
Sisko (interrupting):
I know what the difficulties are! You have your orders, dismissed!
I chose this because a) it cuts off the technobabble
while providing just enough to explain why it’s going to be hard to track Kira,
and b) it shows Sisko at his best. Quick thinking, ready for action, and not
about to waste time when something needs to be done. I figure it’s good to take
a moment to appreciate that aspect of him every now and then.
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