Show: Star Trek; Deep Space Nine
Episode
Particulars: S5EP15, “By Inferno’s Light”
Standalone
Thoughts: The “Part Two is stronger” phenomenon strikes again; this episode
is fantastic. There’s tension, great acting/character work, great plot twists
(including one right at the very start of the episode), and even though there’s
not as much action as you’d expect, it still feels immensely satisfying. Even
if it wasn’t important to DS9 as a whole (see next section), I’d
probably call this one a must see.
I do have a few complaints, though. Although the Dukat-Zyial
conflict I mentioned in “In Purgatory’s Shadow” is somewhat justified here, it’s
still not what I would consider essential to the story, and most of it would
have been better served if it had been established in a prior episode. The way
Worf and the others plan to rescue themselves is clever, but also a little too
convenient when you think about it. Most importantly, while the real Bashir is
in excellent (read; very attractive to me) form this episode, Siddig’s
interpretation of the changeling Bashir isn’t quite as impressive. He basically
just has his face go blank and talks in a more muted register, which works well
enough as a sign that something is different, but also heavily relies on
closeups and ominous music to really put the idea across. This is a small part
of the whole, though, so it’s not a dealbreaker. Besides, I have a theory about
this that I’ll be going into more detail about tomorrow, for reasons that will
become immediately apparent then. For now, though, just focus on the fact that
this episode is one of the greats, and enjoy all the richness it has to offer.
How it Relates to
the Whole: While I still don’t think I can officially say DS9 has entered the point where most of
its episodes are part of a larger story, this episode has brought us right up
to the brink. Cardassia has joined with the Dominion, the Klingons are our
allies again, Martok has officially become a member of the supporting cast, Garak
got more development (although with the exception of his relationship with
Zyial, I don’t know how much of it is ever going to be really essential), and the
station is prepared for war. Needless to say, I’m waiting with even more eager
anticipation for the moment when we cross the threshold. If only I could be
certain when the moment is.
Other: *Today’s
episode establishes that Garak suffers from claustrophobia, which puts his
throwaway line that mentions claustrophobia in “Second Skin” into a very
different perspective. As I said, I’m not sure if this will ever become a factor
again, but it’s used to great effect here. It provides tension, makes you feel
some of that claustrophobia by zooming in uncomfortably close on Garak’s face,
and Garak’s angry argument with himself as he tries to convince himself to calm
down and not freak out is something I think a lot of people with anxiety can
relate to. Excellent handling all around, I’d say.
*Near the end of the episode, Dukat has a line that is so
very close to a political slogan made famous in the last few years that I
actually snorted. I’m not saying what it was so as to avoid things getting
political in here, but it’s not that hard to figure out, especially since I’m
not the first one who’s noticed it. Let the comparisons begin!
Best
Line/Exchange: Again, there are quite a few good lines today, but I decided
to bypass the humor (for once) and the speech that was a little too preachy and
went for the meta;
Gowron: Think
of it. Five years ago, no one had ever heard of Bajor or Deep Space Nine, and
now…all our hopes rest here. Where the tides of fortune take us, no man can
know.
Sisko: They’re
tricky, those tides.
I like to see Gowron’s line as also applying to DS9 as a show. It’s not a perfect
one-to-one correlation (after all, Voyager
was in its third season at this point), but it still fits. And I like the “tides
of fortune” bits because you can interpret that as the writers either saying “We’re
not sure how this is going to play out either.” or “You guys have no idea what
you’re going to be in for.” Even if I’m just making all this up, though, I’m
happy to see where the tides choose to go…in part because I know where they’re
going, but I’m interested in the patterns they’ll make along the way.
After the Fact
Update: First off, part of the reason the claustrophobia scene works so
well is because Andrew Robinson is not only slightly claustrophobic himself,
but he was ill the day they shot it and therefore in just the right mindset to
feel like he was falling apart. Secondly, Siddig says that he deliberately
played changeling Bashir the way he did to try to imply the lack of humanity, but
as I’ve stated, I’m not sure that entirely works. Finally, this entry and
yesterday’s entry revealed that the writers just came up with the idea of
Bashir being replaced by a changeling on the fly, which surprised Siddig when
he got the script. This might just seem like a random detail now, but just wait
until I get to tomorrow…
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