Show: Agatha Christie’s Poirot
Episode
Particulars: S1EP4, “Four and Twenty Blackbirds”, original airdate January
29th, 1989.
Standalone
Thoughts: What really stands out to me about this episode is that, after
three episodes where the writers/filmmakers tried to keep things hidden to keep
the mystery going, it appears that they just gave up and said “The hell with
it, we aren’t even going to try this time around”. They still sprinkle in some
clues here and there, but the opening very strongly hints at where the mystery
is going, and within five minutes of discovering Mr. Gascoigne’s death, you’ll
probably have figured it out. Which means about forty minutes of waiting for
the characters to catch up. There is some hope that things are more complicated
when there are hints about a love triangle from way in the past, but it’s just
a red herring, and that ultimately makes things even more frustrating.
Maybe it’s for that reason that most of the episode feels
so bland. There’s not much in the way of energy from any of the characters,
like everybody’s going through the motions before arriving at the inevitable
conclusion. Even a scene featuring female nudity seems dull, and when that happens you know something’s gone
wrong along the way. About the only thing that sort of works are the bits of
business that run through the episode; Poirot’s sensitive teeth help drive the
plot forward, and Hasting’s obsession with a cricket match that’s being played
is at least consistent and leads to a humorous payoff. Otherwise, there’s
nothing here to really recommend the episode. I’d feel that way even if it was
in the middle of the show’s seventy episodes—having it as the fourth episode
just makes my bafflement at the stories chosen to debut the show even stronger.
Number of Tropes
Followed/Subverted: We get a solid 4/15 tropes today, and no subversions.
There’s an unquestionable “Coincidental Comment”, a “Stopped Clocks are Wrong”
(there’s no actual clock involved, but I’ll still count it), and a serious case
of “Actors Insulting Themselves”. With all of that, it’s no wonder that the
episode clearly wins in “Playing Fair”; in fact, given everything I said above,
I think it plays a little too fair.
There’s a difference between allowing us to play along and just handing the
answer to us, after all.
Other: *Poirot
and Japp have a scene where Japp discusses the new at the time idea of
forensics, and how it’ll eventually put detectives out of business. I’m
guessing that was meant to be a meta moment, though the execution, like
everything else this episode, kind of falls flat. That being said, he’s not
entirely wrong; forensic based shows like CSI
really have become the mystery
stories of our day and age. So points for that, I guess…?
*While I said the little character bits of business were
mostly good, there is one that’s inexplicable to me. Poirot serves Hastings a
rabbit dish, and then stares at Hastings while he eats it, waiting for praise.
The praise bit is in character (specifically the way he says “do not be
unstinting in your praise”), but the rest of the scene seems off. Does Hastings
actually like the dish, or is he making up compliments just to be polite? What
purpose does this serve in the story, other than to help explain where and why
Poirot is going to an art gallery in the next scene? It would have made way
more sense to drop that information during a scene where Hastings is wrapped up
in the cricket match, because at least we had some precedent for that. Instead,
I’m left shrugging my shoulders and slotting the scene in with the rest of the
mediocre parts to the episode.
Most Interesting
Character: I’ve got barely anything to go on today; pretty much all of the
characters just do what’s required of the role with very little zest. Which
basically meant that the only character that made any sort of impression on me
was the one that was only onscreen for about a minute;
The Lavatory Assistant (John Bardon)
He’s slightly snarky, the actor plays him with some
energy, and he doesn’t seem too put out by the fact that he cleans toilets for
a living. If only all of us could put up with our jobs the way he does.
Watched this one recently as the usual accompaniment to a bike ride and it worked fine for that purpose. I actually enjoyed it a fair amount and felt it expanded the short story it was based on in a pretty good way (no Hastings in the original!).
ReplyDeleteI agree that one could see where it was going, but exactly who did the sub is a bit up in the air. Once again, I think the strength of the episode was the glimpse it gave of life at the time. There are some interesting parallels.
Hastings is listening to the radio of the match whenever he can; Miss Lemon is listening to a soap opera/thriller on the radio. People of the age are being distracted from their tasks by the hot entertainment media of the day.
Then food and meals are echoed throughout the show. I thought the scene with Hastings and the rabbit was a counterpoint to the scenes in the pub. Who knows if the food is good in the pub; it's about the company and being in a social atmosphere. The food is an accompaniment to that. Part of that social world is regularity. The waitress knows all the regulars and what they like to eat. She knows them by when they stop by and what they eat. Ironically, order defines life in the pub and it is an exception to the order which intrigues Poirot (Mr. method and order).
However, for Mr. P, food is NOT about being social but is an end in itself, hence the fact that conversation stops while he awaits Hastings reaction. Contrast the sterile atmosphere in his flat with the buzzing atmosphere in the pub. The contrast helps define his character (and his doctor's as well).
Then there are the commentaries embedded in the reference to modern art (which were NOT in the original story). The dealer's gallery is filled with the typical blobs on slashes modernist art. We are told that the dead man was a talented artist who will be much in demand.
But his soon to be famous work has NOTHING in common with the modern art we see. It is all nudes of very pretty women. I think this is a sly comment on the times. People praise the art they don't understand, but they want to buy the "artistic" nudes.
Which I think is why they showed us a nude woman. To point the finger at us and say, "See, You Too!"
And then Poriot gets all theatrical with a crime lab "set" in the theatre to catch the theatre manager. Another playful bit of business.
It was these fragments, plus the jokes (like the cricket payoff at the end) that made me enjoy the episode, not the mystery.
Once again, very interesting commentary and perspectives on the times that may have made the show better for me had I been able to keep them in mind. I'm glad it means someone else is getting enjoyment out of the show, at any rate.
DeleteAnd I'll always get behind people mocking modern art...