Saturday, September 30, 2017

Day 195: Poirot, The Million Dollar Bond Robbery




Show: Agatha Christie’s Poirot
Episode Particulars: S3EP3, “The Million Dollar Bond Robbery”, original airdate January 13th, 1991.

 Summary: After Mr. Shaw (David Quilter) is nearly run over by a determined driver, the London and Scottish Bank contacts Poirot in the hope of stopping a crime. The bank is extending credit to America, and is going to be sending one million dollars’ worth of liberty bonds to New York, via the recently completed Queen Mary. Should Mr. Shaw be incapacitated, the job will fall to Mr. Ridgeway (Oliver Parker), who some of the bank employees don’t trust. When Shaw is poisoned (though not fatally) and Ridgeway sent in his place, Poirot and Hastings are sent along with him to keep an eye on things. Yet somehow, the bonds are stolen when they’re several hours away from New York…


Standalone Thoughts: Despite some potential, most of this episode is kind of bland. It cuts down on the padding, which is a plus, but what content is left isn’t all that special. Which is odd because it could have been special, given that a lot of the story takes place on the Queen Mary during her maiden voyage. A bit of lingering on the décor or having characters enjoy the luxuries of the ship could have led to some nice character moments. Plus, Hastings kept going on about how exciting it would be, but once they’re on board, very little seems to happen that isn’t connected to the mystery, except for the inevitable gag where Hastings gets sick while Poirot doesn’t. Besides, if they’d done that, then maybe the denouement of the episode wouldn’t feel so rushed. A little extra time spent with the characters might have made the reveal feel less out of nowhere, or at least felt more fair.

Even then, though, the final wrap-up is resolved a little too neatly. Apparently, all of the big problems have been solved, even though there’s no explanation for how some of them happened or any proof that the problems are going to stay solved. Generally, unless someone is literally waving a magic wand to fix everything, happy endings need to be earned, or at least suggest that they are in the process of being earned. I can buy one of the events mentioned at the end as happening, but not all of them. There’s no shame in ending the episode with “things aren’t perfect, but they’ll almost certainly improve”, so this insistence on everything being great doesn’t make a lot of sense.

If I was ranking all the episodes, this one would almost certainly be in the lower middle. It’s not annoying, frustrating, or disappointing (minus the mild irritation that the story didn’t play fair), but neither is there anything that’s particularly fun or clever. Maybe a little padding’s not so bad after all…

Number of Tropes Followed/Subverted: 2/15 tropes and 3/15 subversions today. There’s a definite “An Affair to Forget”, and although Poirot puts a lot of the pieces together while he’s talking to Hastings about the theft, he seems to put it together because of a sarcastic response to Hastings’ suggestion, which makes me mark it as a “Coincidental Comment”. Subversion-wise, we’ve got one spoiler, a clear case of “There’s More to Life Than Murder”, and, unfortunately, “Playing Fair”, because the thief and the motivation for the theft aren’t very well established until the end. Plus, they never did explain why the box was so scratched up…

Other: *Today I learned (and confirmed) that London has a street named “Threadneedle Street”. I must assume that either that used to be in an area where a lot of tailors or weavers lived, or the Brits have an even more bizarre sense of humor than I’d been led to believe.

*To my surprise, Poirot indulged in a little bit of continuity today, when Poirot gets a note from the London and Scottish Bank and Miss Lemon brings up the events of “The Lost Mine”. It’s a pretty good reference, too, giving us just enough information that those who have seen the prior episodes will recognize it, while also being discussed so casually that an on-again, off-again viewer will just think it’s referencing a nonexistent case, a way to make Poirot’s job feel more real, as it were. For a show like this, that’s probably the ideal sort of continuity.

*Series Three appears to be “The Series of Strychnine”, because so far every single case has involved Strychnine poisoning. I’d actually be kind of amused if the showrunners made that their theme for the season.

*There’s almost certainly some stock footage of the Queen Mary being used for this episode, given that the actual ship had become a tourist attraction in California by 1991. But since they have a newsreel that features black-and-white clips of Poirot and Hastings (plus a narrator commenting about them), I wonder if they used an actual newsreel clip and did some clever splicing and voice mimicry, or if they cobbled it together with existing footage, new footage, and an actor playing the narrator. Either way, though, it’s not a bad bit of work.

*People from other countries putting on American accents has always rubbed me the wrong way (although I’m aware I’m a hypocrite, since we unquestionably butcher British/French/etc. accents). They generally make us sound too nasal, and if they pick a specific regional accent like Southern, they go way overboard with it. Case in point, there is no way that actress Lizzy McInnerny is American, because her attempt at a Southern Drawl is far too over the top. It may be intentional, but as I like to say, that doesn’t stop it from being annoying.

*One thing I’m kind of puzzled about; shouldn’t the Queen Mary have some sort of Purser’s/valuables office? I know the Titanic had one in 1912, and we saw that some hotels had them in “The Adventure of the Western Star”. Wouldn’t it make sense to take the extra precaution of locking the already locked box in the Purser’s safe, keeping the key on you? But this never comes up in the episode, no doubt because it wouldn’t further the plot. One line of exposition was all we needed to at least try to justify this. Ah, well, sometimes you don’t notice these things until too late.

*I already said my piece about the ending, but the final conversation between Hastings and Poirot strikes me as vaguely insulting to women, and I’m not sure who I should be more annoyed by in that conversation. So let’s just simplify it and say they both should probably get a finger-wagging.

Most Interesting Character: My pick this time around developed gradually. I didn’t think much of the character at first, but they grew on me, leading to getting this honor(?);


Mr. McNeil (Paul Young), head of security for the bank

He doesn’t seem like much to write home about at first, but the longer the episode goes on, the more you see how dedicated he is to his job, and once the theft occurs, he springs into action quickly and efficiently. Plus, it’s kind of amusing that he’s questioning whether or not they should entrust the case to a Belgian when he himself has such a thick Scottish accent. I know Scotland’s considered a part of Britain, and that he’s an employee of the London and Scottish Bank, but not everyone (including the English and Scots themselves) makes those kind of distinctions.


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