Show: Star Trek; Enterprise
Episode
Particulars: S4EP3, “Home”
Standalone
Thoughts: I’m guessing the inspiration for this episode was the phrase “You
can’t go home again”, because it’s surprisingly grim. I actually don’t have a
problem with this in theory. After all, the crew has been gone for a long time,
and they saw quite a lot that would have changed them. However, the execution
leaves a little something to be desired.
There are three plots in this episode, and honestly, the
one that gets the least attention is the one that’s the best handled. That plot
is the “Phlox is treated poorly because Earth’s gotten xenophobic” plot. Sure,
it’s a bit heavy-handed at times, especially with Hoshi’s little rant at one
point, but it’s believable in more ways than one. It probably couldn’t sustain
a full episode, but what we got was pretty good, even if it’s not always the most
comfortable of material.
T’Pol’s plot, meanwhile, has much bigger flaws. As a
point in its favor, it winds up being good continuity-wise, since it not only
addresses things that happened in prior episodes, including pulling in material
from the early seasons, but it eventually winds up providing some plot material
in later episodes this season. That being said, what we get in this episode is
very rushed. While we were made aware of T’Pol’s fiancé back in “Breaking the
Ice”, having him arrive and want to get married and introduce T’Les and her problems and play around more with the T’Pol/Tucker relationship is far too
much to cram into one episode, especially when it has to share screentime with
the other two plots. But the episode does manage to pace the T’Pol scenes well
despite all the material they have to cram in, and the sets and costumes are
nice, so it’s not too bad to watch, especially in hindsight when you know how
some of this plays out.
And then there’s Archer’s plot, which is a great idea on
paper but just doesn’t work in the finished product. It eventually comes out
that Archer is grappling with his actions in the Expanse, that he doesn’t feel
like a hero and is currently feeling very cynical. This is a completely
believable thing that could happen to him…but it doesn’t feel earned. It just
kind of comes out of nowhere, and suffers from “tell, don’t show”. The plot
also contains an odd detail that may wind up being distracting for some people.
Archer spends most of the plot with Captain Hernandez, but neither her first or
last name ever comes up once in the episode. We figure out from context clues
that she’s the captain of the Columbia,
but that’s it. So you’re left wondering if we’re supposed to know who this is,
especially since she and Archer appear to have a history. All of this might
have worked with more build up (and actually telling us Hernandez’s name), but
as it stands, it’s a good idea that’s squandered.
This is a better episode than both of the “Storm Fronts”,
but I think I’d still classify it as a housekeeping episode, giving an official
end to the Xindi arc while trying to set things up for later events in the
season and kind of weakening both in the process. On the bright side, I believe
things start to pick up more tomorrow, though as always, we’ll have to see if
my memory is accurate or faulty. So far, though, Enterprise has mostly lived up to my expectations (the first half
of Season Three notwithstanding). So I’ve got confidence that this will all
work out fine as well.
How it Relates to
the Whole: In addition to putting a bow on the Xindi arc, the episode
introduces two new relationships into the show (though one of them was hinted
at way back in Season One) and sets up a possible conflict for Phlox. It also
introduces us to T’Les, who will be important in a later series of episodes. So
despite feeling like a series of vignettes, this is actually pretty important
viewing.
Other: *Another
single observation this time. While chatting with Captain Hernandez, Archer
asks if she’s seen any good movies lately. She says “Another WWIII epic. It
swept all the awards.” That made me smile slightly, because it implies two
things. One, movies are still being made in the 22nd century. And
two, apparently some things never change; war movies will always be nominated
for Oscars. I just hope the go-to Oscarbait isn’t quite as pretentious as it is
here in the 21st century…
Badass Malcolm
Moment: When a xenophobic jerk (Joe Chrest) starts picking on Phlox at a
bar, not only does Malcolm stand up for Phlox, but he easily dodges the punch
that’s thrown at him and gives it back in spades. I obviously don’t condone bar
fights, but since a) Malcolm didn’t start it, and b) he was clearly on the
right side, I’m more inclined to look at this one favorably.
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