Show: Star Trek; Enterprise
Episode
Particulars: S4EP21, “Terra Prime”
Standalone
Thoughts: On its own, the episode is ok, mostly by virtue of the action
scenes and the sincerity on display in the last few minutes. As the payoff for
an arc…it’s not quite as successful. For a start, neither Samuels or Gannet
wind up really being all that relevant. Samuels is basically reduced to “bureaucrat
who doesn’t want to rock the boat” , and while Gannet gets a scene suggesting
there’s more to her, it’s a classic example of “tell don’t show”. There’s
nothing wrong with them in theory, but after the setups they were given in “Demons”,
they could have been used a lot better.
(I’m also disappointed that they copped out and assigned
a certain revelation to a random character we’d never met. I guess they were
trying to keep their options open just in case the studio changed their minds
and uncancelled the show, but some of the impact is lost when we have no idea
who this character is.)
A second, bigger problem is that I still have no earthly
idea what Paxton’s intent was with the baby. He really hates the idea of Humans
being corrupted by intermixing with aliens, so he…creates a mixed-species kid?
If you’re trying to make a point, wouldn’t it be better to do something like
find a way to age the child rapidly, then manipulate her into doing something
bad so you can have what appears to be proof of your claims? Just showing
people a mixed-species baby doesn’t seem like the most convincing argument. Maybe
there’s something I’m just not getting, but that entire subplot/aspect of
Paxton’s plan is just baffling to me.
On the more
positive side, the action scenes are well-paced, the plan to get onto Mars is
clever, and all the characters are given something to do (though Hoshi’s role
is once again a touch Mary-Suesque). I also like the fact that, after spending five
Trek franchises seeing what’s going
on on other planets, we finally get more of a sense of what Humans have done
with the moon and Mars in the Trek universe.
It’s nice that the writers aren’t ignoring what’s going on in our own backyard,
so to speak. And like I said, the ending (Archer’s speech, Mayweather’s
discussion with Gannet, and especially the scene with Tucker and T’Pol) feels
genuine and generates some good feelings, even if some of them are bittersweet.
It’s not the ideal way to end a show, but it’s an acceptable one. It’s
certainly better than the actual ending
we got…
How it Relates to
the Whole: Had the show continued, I suspect this episode would have been
seen as the setup for a relationship between Gannet and Mayweather, the
Coalition gradually turning into the Federation, Tucker and T’Pol finally
committing to their relationship, and Malcolm having at least one more
encounter with Harris. But obviously, this is just speculation. The one thing
that’s definitely relevant is the
material surrounding Tucker and T’Pol’s child, because it’s obviously meant to
pave the way for everyone’s favorite half-Human half-Vulcan, Spock. One last
pleasant homage for the road, I guess.
Other: *I
mentioned in the previous review that it looked like the writers were setting
up more interactions between Malcolm and Harris, even though they were being
cancelled. It kind of looks like they were trying to walk that back somewhat
today, or at least make things more ambiguous. I’m fine with leaving it
open-ended as to whether or not Harris and Malcolm would ever meet again, but
with what happened in the last episode and Malcolm outright saying today that
he knew Harris would help because “you’d never miss a chance to put me in your
debt”, it makes the end of the scene ring a bit hollow. It’s not as bad as it
could be, but I wish the writers could have had the courage of their
convictions and leave the plot thread dangling instead of inexpertly tying it
up.
*For most of the episode, the music has the sort of
semi-dramatic sound you’d hear in any Star
Trek show; semi-noticeable but not too memorable. The one exception comes
at about the halfway point (when Tucker gets thrown into a room and he starts
to MacGyver his way out), when the music takes on a synth-heavy, almost 80’s
feel. Maybe it was an homage to MacGyver, but it was jarring. A clear example
of being memorable for all the wrong reasons.
Badass Malcolm
Moment: Malcolm admittedly does not acquit himself very well during the big
action scene, but he makes up for it both with a nice moment of
authoritativeness later, and in my selection for this category earlier in the
episode, when he meets with Harris and makes it clear that he’s no longer under
Harris’ thumb. Harris even says that “the student has surpassed the teacher.”
Glad you noticed, sir.
No comments:
Post a Comment