Show: Star Trek; Deep Space Nine
Episode
Particulars: S3EP3, “The House of Quark”
Standalone
Thoughts: I was a little afraid that this episode would be a letdown.
Having a lighter episode after all the developments in “The Search” is
unquestionably a good move, but it runs the risk of feeling like a return to
the status quo, and therefore not taking the aforementioned developments
seriously. Happily, the writers seem to have thought things through, so the
episode turns out to be pretty good.
I like both the main plot and the subplot, albeit for
different reasons. I like the main plot because it’s constantly subverting your
expectations. How many times have you seen the “somebody does something, lies
about it, and then keeps digging themselves deeper and deeper in order to not
get found out/in trouble” plot, or some variation of it? The episode is all set
to go in that direction, only for it to turn out that the Klingons want Quark’s lie to be true, because it’s
a more honorable death. Then it turns
out that Quark should have told the truth, but for political rather than moral
reasons. It’s a whole series of twists and turns, but they develop gradually
and therefore keep you on your toes, wondering what new development is going to
occur. It’s sharp writing, and doubly amusing because Klingons and Ferengi have
such wildly different ways of looking at the world.
As for the subplot, I mostly like it because it once
again shows that O’Brien is a really nice guy. His attempts to cheer Keiko up
are sweet, and he’s more than willing to put her needs above his own. It’s
always great to see examples of couples doing nice things for each other,
although given what we’ve seen so far of the O’Brien’s relationship, O’Brien is
doing most of the heavy lifting here. Which just makes it all the sweeter, in a
way, even if it leaves me exasperated at Keiko.
That aside, this is a fine episode. It strikes the right
balance between funny and serious, which makes it a good follow-up to “The
Search”. So far, Season Three is off to a good start, though if memory serves,
we’re going to hit a rough patch in about a week. Let’s just hope the quality
mostly remains consistent until then.
How it Relates to
the Whole: O’Brien’s handling of the Keiko situation will have some
repercussions (perhaps one major repercussion, if my memory is accurate), and I
believe that Grilka will come back in a future episode, which will also lead to
some repercussions, but not necessarily for Quark. Nothing quite like taking a “breather”
episode and trying to work it into the main story.
Other: *I
noticed something weird with this Dabo girl, and for once, it has nothing to do
with fashion;
Those markings on her back are odd. They don’t look like
they’re part of the outfit, but neither do they look like they’re some sort of
alien anatomy. They look like bruises or dirt smears, and I doubt that Quark
would approve of either of those on his Dabo girls—bad for business, don’t you
know. I have no idea what to make of them, though perhaps they have something
to do with Morn there. Given that they’re about to leave together (and Morn
gives Quark and Rom a thumbs-up on the way out), maybe those marks just
appeared in the last few minutes, and the Dabo girl doesn’t really mind. That’s
probably the best possible explanation I can come up with that leaves everybody
satisfied.
*While the episode does generally do a good job of
reminding us of the Dominion threat while mostly being light-hearted, it does
have a stumbling block when it comes to Odo. He’s only in one or two scenes,
but he’s acting normally, i.e. suspicious of Quark. Given that a lot of what
happened in “The Search” directly affected him, I don’t know if he’d be acting
that way at this point in time. Ideally, he wouldn’t have been in the episode
at all, implying that he’s still trying to process things. It’s not a big deal,
but from a writing and characterization perspective, it does seem a little off.
*Allow me to draw your attention to this shot;
This is clearly being show through some sort of filter,
judging by the blurring effect on the edges and the fact that O’Brien and Keiko’s
heads look out of proportion. My question is, why did they use that lens? Were
they trying to imply a plants-eye view or something?
*After wearing a bun in “The Search”, Dax is now back to
her ponytail, and according to a previous DS9
Companion entry, it’s here to stay. At least it was a hairstyle change that
was easy to fix if the audience didn’t like it.
*O’Brien has an exchange with Bashir that I absolutely
love. Based on the character’s actions and the way the scene is framed, you’re
initially bracing yourself for Bashir to say something awkward or insensitive.
But then he calmly sits down and explains why O’Brien’s plan to give Keiko an
arboretum won’t work, in a way that makes perfect sense. It’s such a wonderful,
mature moment for Bashir that I almost considered making it my Best Exchange
for the episode.
Best
Line/Exchange: But instead, I went with;
(Quark is looking
over Klingon financial records)
Quark: Very
clever. Very clever indeed. D’Ghor has manipulated your family’s holdings,
devalued the lands you hold, and he is
the principal creditor on Kozak’s outstanding gambling debts. It’s no accident
your family’s getting weaker and D’Ghor’s family is getting stronger. He’s been
systematically attacking your family’s assets for over five years now.
Grilka: You
mean D’Ghor has been scheming and plotting like a F…(Trails off and looks at Quark)
Quark (looks
back at her, answers proudly): Like a Ferengi.
I like this for two reasons. First of all, Quark knows
about the Ferengi reputation, but has decided to just roll with it, and
probably feels a little schadenfreude
knowing that despite their lofty claims, groups like Starfleet and the Klingons
are still capable of acting like him on occasion. Secondly, it’s not every day
you see someone brought down via economics in media, unless you count The Untouchables. Granted, that’s only
part of how the conflict ultimately gets resolved, but it’s amusing nevertheless,
and an interesting subversion of the usual Star
Trek, and particularly Klingon, situation.
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