Show: Star Trek; Deep Space Nine
Episode Particulars:
S3EP14, “Heart of Stone”
Standalone
Thoughts: I’ll just say it; this is a great episode. It doesn’t seem
promising initially, but the longer it goes on, the better it gets. I suppose I
shouldn’t be too surprised, though; since I’ve repeatedly cited Visitor and Auberjonois
as excellent actors, having the two of them bouncing off each other is bound to
be good. Slightly more surprising is Eisenberg, who really makes you root for
and sympathize with Nog as the episode continues. No matter who’s on the
screen, though, the writing is good, and the acting makes it all sound sincere.
That’s the main reason it works so well.
About the only thing I don’t like about the episode is
that it kind of tips its hand early when it comes to Kira’s situation. Sure,
there’s a technobabble explanation that sounds plausible, but if you’ve been
paying attention, you might figure out what’s going on only ten minutes into
the episode. I had a suspicion the first time I watched the episode, and though
I was partially wrong, I still got close enough that I’ve wished it could have
been better handled ever since. Still, it’s glossed over easily enough,
especially in the wake of the acting and story developments. Besides, if that’s
my biggest complaint, then the episode is doing just fine for itself.
How it Relates to
the Whole: We’ve got a lot today. We learn more about Odo’s backstory,
explore his feelings for Kira a bit more, and there’s even some slight
foreshadowing at the very end of the episode. What’s even more interesting,
however, is the whole plot involving Nog. His desire to join Starfleet might
have come out of nowhere, but after establishing it in this episode, the
writers do an excellent job moving Nog from comic relief character to a more
mature, serious character. In fact, I’d go so far as to say that Nog has the
most impressive, complex story arc of any of the characters on this show, and
this episode does a fine job of setting all that up. It seems like the writers
have finally realized the potential of their supporting characters, and since
that’s one of the highlights of the show for me, I’m excited to watch things
develop even further.
Other: *The
episode acknowledges the treaty made in “Life Support” yesterday, which is good
continuity. Still no indication if it will ever play a major role, but I’m glad
it wasn’t just forgotten.
*Odo declares that the Maquis ship they’re chasing is
having problems because “his attitude stabilizers have failed”. Yes, attitude
stabilizers. I checked the subtitles, and they say “attitude” too. Either Auberjonois
misspoke and they just ignored it, or the pilot is the Incredible Hulk and the
ship somehow keeps him from getting angry. I know which one’s more likely, but
I also know which one I want it to be.
*According to this episode, Odo is striking up quite the
friendship with O’Brien. I hope we actually get to see this in action sometime,
partially so that this doesn’t just feel like a case of “informed attributes”/“tell
don’t show”, but also because it would be nice to see Odo having friendly
interactions with more of the crew. Given everything, he certainly deserves it.
*There are a lot of nice little touches in this episode.
There’s a discussion between Bashir and Sisko that touches on alien biology and
reproduction that’s decidedly different from our own, which makes the world
seem a little more complex and thought-out. Odo has a morph effect that’s both
impressive from a technical standpoint and implies something about how he’s
improved as a shapeshifter. There’s even a small but well-executed moment where
the doors to Quark’s bar open, you can hear the sound of people chatting on the
Promenade, then the doors close and it’s silent again. I think everyone brought
their A-game to this episode, and it really paid off.
*One of the few things that don’t quite work about this
episode is when Sisko confronts Nog about his reasons for wanting to join
Starfleet at the end. Sisko sounds unreasonably angry about it. I get that he
was in essence playing “bad cop” to get Nog to talk, but Nog’s just a teenager.
There was no need to intimidate him that much.
I know if I’d been on the receiving end of that, I’d probably be a mess
afterwards. Couldn’t you try talking to him like you would to Jake, Sisko? You’d
all probably be better for it in the long run.
Best
Line/Exchange: There are a lot of good speeches in this episode, but some
of them are spoilery. So I’ll go with a bit right at the beginning of the
episode instead;
(Odo’s been huffy
with Kira, and now he finally explains why)
Odo: It’s
just…when Governor Avesta invited us to dinner at his house…
Kira: Go on…
Odo: You said
no.
Kira: And?
Odo: You never
bothered to ask me if I wanted to go.
Kira: You wanted to go to the Governor’s house for
dinner?
Odo: Not particularly.
Odo: Not particularly.
Kira: Well then
what’s the problem?
Odo: The
problem is you never asked what I wanted.
Kira: Odo, you
don’t eat. Besides, you hate socializing with people you don’t know.
Odo: Well
that’s beside the point! I would have liked to have been consulted, that’s all.
Kira (irritated):
You’re right. Next time we are invited out for dinner, I will make sure you are
the one to say no.
Odo (nods): I’d
appreciate that.
(Kira looks at him
for a second, then chuckles)
Whoever wrote this exchange has been involved in stupid
yet understandable arguments before. This whole thing feels so true to life,
complete with the laughter at the end when you realize what you were just arguing
over. Furthermore, both sides have a point—Kira figured she was just cutting to
the chase since she knew they were in agreement, while Odo felt like his needs
and wants were being ignored (something he’s probably a little extra sensitive
to thanks to both his upbringing and the recent developments with the
Founders)—so you can easily take either side. It’s great writing and acting,
and is a good start for a really good episode. I can’t give much higher praise
than that.
After the Fact
Update: According to Aron Eisenberg, this new development for his character
came as a surprise to him, but after reading the script, he agreed with the new
direction and changed his acting and character interactions accordingly. Which
kind of shows you what good writing can do.
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