Show: Star Trek; Deep Space Nine
Episode
Particulars: S3EP10, “Fascination”
Standalone
Thoughts: Much like the appearance of Thomas Riker in yesterday’s episode,
the return of Lwaxana Troi was probably just as much about boosting DS9’s ratings as it was about connecting
it to her prior appearance. Also like yesterday’s episode, the story that
resulted isn’t great, but it’s also not terrible either. In fact, it’s a
concept that I might have enjoyed in a different context. There is amusement to be gleaned from having
the characters acting a little odd because of forces beyond their control, and
it offers an opportunity for characters who don’t tend to interact (Jake and
Kira, for example) to share a few scenes together. For all that, though, the
episode’s execution is a little flat. Partially because the episode sets up so
many romantic entanglements that none of them really get a chance to be
explored, and partially because of the one serious note in the whole episode.
I speak, of course, of the relationship between O’Brien
and Keiko. It’s material like this that reminds me why I didn’t like Keiko the
first time around. I want to give her
the benefit of the doubt, I really do, but she doesn’t make it easy for me.
Take the scene where she and O’Brien are discussing how
they want to spend their evening. Looking at Keiko’s perspective, you can somewhat
understand why she reacts the way she does; it was a long, exhausting flight, and
she was stuck in a shuttle with Lwaxana, who fed her daughter too much candy
and made her sick. And for O’Brien’s part, he hasn’t seen his wife in months,
and now he only gets two days with her. He understandably wants to spend as
much time with her as he can, and would be upset that things weren’t going the
way he hoped. But then the scene plays out, and Keiko is incredibly passive-aggressive,
shooting down O’Brien’s suggestions even though she’s the one who told him they’d
do whatever he wanted to do, and then sounding like it’s a big imposition when
she finally agrees to go out and watch the festival with him. O’Brien,
meanwhile, is trying to accommodate her, though he can’t help but let his
disappointment bleed through. Sorry, but I’m on O’Brien’s side here. It gets
even worse when they have a big argument later on. O’Brien was unquestionably
the more unreasonable one during the argument, but then he goes to Keiko and
apologizes, even sort of groveling on the floor. Does Keiko ever verbally
apologize for her actions onscreen? No. It really does feel like only one of
them is putting effort into the marriage, and because O’Brien is such a nice,
everyman character, I just wind up feeling bad for him. I suppose I should
commend the writers for trying to write a realistic marriage, showing the
arguments as well as the good times, but if you want me to believe this is a
happy marriage, you have to show both sides compromising and admitting when
they were wrong. And we’re just not getting that from Keiko.
That aside, the episode is ok. It probably would have
been better if it had either been in Season Two, before we had the Dominion
threat hanging over us, or if the writers had polished the story a little more.
Still, if you want to skip it, I probably wouldn’t blame you.
How it Relates to
the Whole: Well, I’ve been hinting at it for a while now, but this episode
finally speaks about it openly; Odo’s got feelings for Kira. It’s a plot point
that will be developed fairly slowly, but it’s a noteworthy part of the show,
so I should probably acknowledge the first official mention of it. The episode
also officially ends the relationship between Jake and Mardah, though that’s
nowhere near as big a deal as what’s going on with Odo and Kira. And finally,
Lwaxana will appear at least once more, though I don’t believe the events of
this episode are referenced. In other words, pretty much every long-term
development in this episode has to do with relationships. Make of that what you
will.
Other: *I had
to snort when Jake, moping over his breakup with Mardah, agrees to go to the
Gratitude Festival, but refuses to have a good time. Sounds like a typical
teenager to me.
*I cannot be the only one who winces at the name “Gratitude
Festival”, right? It’s just so…clunky. It sounds like something you’d hear on a
children’s TV show, or (as a family member pointed out) like a celebration in a
dystopian society. Given that the Federation’s supposed to be a utopia, there’s
an irony in that.
*Bashir literally tells O’Brien “I’m a poor substitute
for your wife” early on in the episode. We know what he really means, but there’s
no doubt in my mind that the writers meant it as a double entendre. See, it’s stuff like this that makes Bashir one of
the most popular characters to pair off in fanfiction.
*When Odo says he’d like to spend time with Kira at the
festival, but knows she’ll be busy as the Master of Ceremonies, Kira assures
him “For you, I’ll make the time.”
Interestingly, those are the exact same words Gul Dukat used in yesterday’s
episode when he was telling Sisko that he’d promised his son that they’d go
somewhere for his son’s birthday. I don’t know if that was deliberate or not,
or what it says about the characters that they’d use the same phrasing, but it’s
certainly something worth noting.
*There now appears to be a lounge area near one of the
docking rings. We’ve never seen it before, and I have no idea if we’re going to
see it again, but I like the idea. It’s like those sections of airports where
you can wait for someone to arrive. And given that the station does have a
civilian aspect to it, having a lounge area is a good idea. It feels like the
show designers were trying to consider the little details, and I appreciate
that.
*There’s an odd moment where it appears that Odo and Bashir are escorting Lwaxana to an
officer’s dinner. It’s clearly to set up more shenanigans, but given that
Lwaxana is already sticking to Odo like glue, having a second escort doesn’t
make a lot of sense. Maybe it’s related to Bashir having to babysit the
ambassadors back in “The Forsaken”? If so, I appreciate the touch of
continuity. Otherwise, I’m just baffled.
*I do have to wonder if this episode is in any way
related to the behind-the-scenes relationship of Alexander Siddig and Nana
Visitor, given the passionate makeout session we see between Kira and Bashir.
It just feels like this episode helped jumpstart the relationship, or they were
already in a relationship and the writers thought it would be fun to let them
show it on camera, at least for a few minutes. I don’t want to speculate too
much into the personal lives of the actors, but when you know what was going on
offscreen, you can’t help but be a little curious.
*Sisko fends off an attack on his person with the same exasperated
nonchalance we saw from Neo at the end of The
Matrix. This has no real bearing on the episode, but it’s a) amusing and b)
a sign that Sisko probably knows how to fight. I can always get behind little
beats like that.
Best
Line/Exchange: This bit amused me for personal, fandom-based reasons;
Odo: So…what
brings you to the station?
Lwaxana: Well,
officially I’m here as the Betazoid representative to the Gratitude Festival.
But the truth is, I came to see you. You poor, sweet, tortured man!
Odo (tilting
his head skeptically): Excuse me?
Lwaxana: Oh,
well, I know the torment you must be going through. To spend your whole life
searching for your people, only to discover that they’re the leaders of that
awful Dominion!
Odo: You heard
about that.
Lwaxana: Odo…(touches his face) Don’t worry. I’m here
to help you.
Odo: What kind of help do you mean?
Odo: What kind of help do you mean?
Lwaxana: Oh, a
sympathetic ear, a shoulder to cry on…a lap to melt in.
Odo: Ah. Well
that’s very considerate of you, but unnecessary. My people are who they are, I
am who I am. I’ve learned to accept that.
Lwaxana: Oh,
you brave soul. Why don’t we go someplace quiet and you can tell me all about
it?
Again, this might only be funny if you have any experience
in fandom, but…Lwaxana is basically acting like a typical fangirl, gushing over
a stoic brooding character convinced that only she can break through that
reserve and help him through a difficult time. Odo, meanwhile, is acting
completely in character and looking at her with suspicion and skepticism. It’s
a clash between fandom and reality, and it makes me grin, even if I suspect it
was completely unintentional on the part of the writers.
(And just to be clear, I’m not mocking fangirls who do
this. I myself have done this. I’m pretty sure I still do it. That’s probably why it rings so true to me.)
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