Show: Star Trek; Enterprise
Episode
Particulars: S1EP16, “Fusion”
Standalone
Thoughts: This is one of those episodes that’s hard to review on a rewatch,
because knowing what happens colors your opinion of events. That said, I think
I’d still have a lot of the same opinions even if I was watching it for the
first time, so this isn’t as bad as I think “Inquisition” was over on DS9. Although they both share making me
uncomfortable in common.
It’s hard to know what to make of this episode initially.
There are aspects of it that are being played for comedy, there’s some bits
that are supposed to be heartwarming, and the overall feeling is one of mild
contentment. It’s perfectly fine material, but it mostly feels on par with
“Strange New World” or “Unexpected” in the sense that it’s watchable but
doesn’t really seem to be going anywhere, except in the sense that we’re
getting a new wrinkle in the Vulcan-Human dynamic. And then we get to the last
act.
Simply put, the episode takes a turn for the creepy, and
while it was foreshadowed here and there (made especially obvious on a second
viewing), it still feels abrupt and unsettling even if you’re prepared for it.
Some people might not like this abrupt shift and the very heavy implications of
the scene, though I personally am okay with it. I do think it doesn’t entirely
mesh well with what came before, but that’s kind of par for the course at this
point. Furthermore, it leads to a great moment for Archer, which is probably
the highlight of the episode, and I’m glad the writers gave him the
opportunity. I just wish we could have seen a bit more follow-through on it in
the last few minutes of the episode. Although that being said…
How it Relates to
the Whole: In addition to introducing another classic Star Trek trope, this episode will have long term consequences in more ways than one. I know of one
plot point that directly develops from this, and I have a suspicion that some
of T’Pol’s actions in the third season, as well as a story arc in the fourth, grew
out of this story as well. Not bad for something that feels like a one-off.
Other: *The
only thing that really caught my attention today was that T’Pol’s dream
sequence was very obviously supposed to be aping film noir, from the smoke and shadows to the jazz music. As I’ve
mentioned, I love a good noir homage,
but this one felt a little too calculated. It’s slightly better in a subsequent
scene, but that’s also the really creepy scene, so I don’t necessarily approve
of it having that association either.
Badass Malcolm
Moment: Malcolm has maybe a dozen lines in this episode, but he does make a
memorable entrance at one point, where I was half-convinced he’d deliberately
arrived at just the right moment because he was planning on causing some
trouble (or in internet parlance, doing a little trolling). Sadly, the episode
went in a more conventional direction, but that entrance is still perfectly
timed.
After the Fact
Update: Memory Alpha doesn’t reveal anything overly interesting about the
episode itself, but I did learn something amusing; one of the actors in this
episode is a guy named Robert Pine. His son, Chris Pine, would go on to play
Kirk in the reboot Trek movies. Funny
how things work out sometimes, isn’t it?
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