Show: Columbo
Episode
Particulars: S8EP3, “Sex and the Married Detective”, original airdate April
3rd, 1989.
Standalone
Thoughts: This is another episode where I mostly enjoyed it, despite the
fact that it contains a lot of padding. We didn’t really need the scene where
Columbo plays the tuba, or the scene where he’s mistaken for a
bartender-in-training, and while the scene where different people in the clinic
ask him for advice allows Columbo to get more information, it didn’t need to be
that long. But I liked them all the same, because Falk does a great job this
episode. He’s warm, friendly to everybody, and while he still seems a little
awkward about discussing something as personal as sex, it’s not quite as
extreme as it was in things like “Suitable for Framing” or “Lovely but Lethal”,
suggesting that he’s been mellowing a bit with age. He’s a lot of fun to watch,
and is probably the greatest thing about this episode.
Columbo aside, the story is entertaining, but I once
again feel like there were more things that could be explored. Allenby’s
monologue at the end of the episode is a good one, but I didn’t really believe
it based on what we’d seen in the rest of the episode; really digging into that
might have provided some good material. There’s no confrontation between
Allenby and Cindy, or any followup to some of the conversations we’d seen at
the beginning of the episode. And there was a fantastic opportunity for Allenby
to try to turn the tables on Columbo by discussing his sex life and therefore
keeping him off balance, but other than one scene early on, the subject never
comes up. I would have been more than willing to trade some of the fun padding
for things like that.
Still, what we do get is pretty good. The music is
appropriately sensual, if a bit on the nose, the acting is good overall, and it
generally had a more relaxed vibe than either of the other two 1989 episodes.
If you wanted an episode to transition from the older episodes to the newer
ones, this one might be a good contender. As long as you didn’t mind the
somewhat risqué subject material, that is.
Number of
“Columbo-isms”: 4/6, although some of them aren’t quite as I’d expected.
While we never see Columbo in it, we do see the car in the background several
times. His wife is mentioned, but she doesn’t come up as many times as I would
have thought, considering the title of the episode. There’s several “Just one
more things”, including a literal one and
two instances when others say it to Columbo. About the only one that’s
normal is the fumbling. I’m also disappointed that they didn’t take advantage
of Columbo playing the tuba to sneak a “This Old Man” in there, but you can’t
have everything, I guess.
Other: *One of
Allenby’s fellow therapists is a man named Walter Neff (Ken Lerner). This is
obviously a reference to the man of the same name from Double Indemnity, but I have no earthly clue why they’d be paying
homage to that character, since this story has nothing to do with insurance or
a murderous couple. Maybe they were trying to draw a parallel between Allenby
and Phyllis Dietrichson, but it’s a very tenuous connection. Instead of being
clever, it just wound up being distracting.
*Speaking of odd references, there’s a moment where
Columbo, on the ground floor of a music hall, is discussing the mysterious
woman in black with one of his subordinates (Stewart J. Zully), who’s standing
higher up on the staircase. As they’re shouting back and forth, two musicians
are climbing up the stairs, and when they hear about the woman in black, they
abruptly turn around and head straight back down the stairs again. This isn’t
just in the background; the camera actually lingers on them. It feels like this
was a reference to something (Laurel and Hardy sprang to mind for some reason),
but I have no earthly idea what it could be. I’d be grateful for anyone who
could shed some light on this.
*According to Allenby, a courtesan is a “successful
prostitute”. This caused me to raise an eyebrow, because while she’s
technically correct, the way I’ve heard the term used is a little more nuanced than that. I’ve always thought of a courtesan
as a woman, generally from the 1800’s, who was beautiful, intelligent, comfortable
in high society, and at least somewhat sexually talented, who was her own boss
and could therefore get exorbitant sums or presents out of her lovers. The
official definition I got off Google (“A prostitute, especially one with
wealthy or upper-class clients”) seems to bear me out. I wouldn’t harp on this
if it wasn’t for the fact that as a sex therapist who has written a book
entitled The Courtesan Complex,
Allenby should know better. Or at the very least, the people who wrote this
episode should know better.
Would This Hold Up
in Court?: Considering I’m not entirely sure what evidence Columbo has, I’m
going to say no. Oh, he’s got some eyewitness testimony and a few little pieces
of evidence (one of which may not have been obtained under a search warrant,
but there’s a grey area on that one), but that’s all circumstantial evidence
that might add up to something, not
anything concrete. Also, he kind of tricked Allenby, and I tend to consider
that a no-no. But as I established way back at the beginning of my Columbo reviews, I don’t know whether or
not that sort of thing is accepted as evidence, so opinions may vary on that
one.
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