Show: Columbo
Episode
Particulars: S9EP4, “Rest in Peace, Mrs. Columbo”, original airdate March
31st, 1990.
Standalone
Thoughts: This episode is full of interesting ideas. Having the murderer
target Columbo, having the bulk of the story be told through flashback, having
the murderer be connected to one of Columbo’s previous cases…all of these hooks
could carry their own episode. This episode decided to smash them all together,
and I think the result is much weaker for it.
To begin with, the flashback structure isn’t very
well-handled. We open with Mrs. Columbo’s funeral, apparently to prove that the
title wasn’t just for shock value, and then slowly zoom in on Dimitri,
listening to her thoughts before we get a dissolve and are in the flashback,
watching her start to set up her plan. So far so good. After the first
commercial break, we’re back at the funeral, and now we zoom in on the
receptionist for the real estate office, DeDe (Teresa Ganzel), who thinks about
how sorry she feels for Columbo before we flash back to when he arrived at the
office to investigate Chambers’ death. This is where we start to run into
problems, because the flashback quickly starts showing us things that DeDe
wasn’t present for or was very unlikely to have overheard. This happens again
with the third and fourth flashbacks (one of which features a character who’s
barely involved in the story), and then they just drop the flashback idea
entirely. There was a way they could have made this work, but the way they
chose clearly wasn’t it.
Secondly, the episode tips its hand too much. Columbo
figures out almost immediately that Dimitri is the killer because there are too
many holes in her story, and has confided his suspicions to his assistant
Sergeant Brady (Tom Isbell) before the halfway mark of the episode. Since we
know he suspects her, it makes everything that follows seem increasingly
contrived, especially since a lot of viewers will suspect that (potential
SPOILER ALERT) it’s highly unlikely that anything’s actually happened to Mrs.
Columbo, because it’s a little too dark for this show (END SPOILERS). While you
know from my Poirot reviews that I’m
all for episodes playing fair with us, making it less obvious that Columbo knew
what was going on might have allowed for more tension. Instead, it starts to
feel like the episode is unnecessarily dragging things out.
Finally, the way they handle material surrounding
Dimitri’s character is a bit suspect. It’s established very early on that
Dimitri isn’t mentally healthy, given that she gets a call from her doctor
(Roscoe Lee Brown) because he’s concerned she didn’t check in with him. A
little later, it’s all but stated that she spent some time in a sanatorium. And
then much later in the episode, Columbo talks to her doctor, and the doctor,
who at least tries not to violate doctor-patient confidentiality but does it
anyway, basically informs Columbo that she’s got an unhealthy obsession with
getting revenge on the men who wronged her. With all this evidence, it starts
to feel like Admiral Plot Device was in charge, because it just seems highly
unlikely that her doctor would have really allowed her to leave the sanatorium,
much less take a job working for the man she wanted dead. Plus, it’s hard to
tell if we’re supposed to sympathize with Dimitri or not, and combined with
everything else I’ve discussed, that makes this episode really hard to parse.
While this isn’t exactly a bad episode, it’s definitely
the weakest of the season, even though some editing (both of the script and of
the film) might have prevented that. You can’t win them all, of course, but
given that they were trying to go for something very different from the norm,
this was a bad episode to slip up on. I’ll still give them points for trying,
though.
Number of
“Columbo-isms”: 3/6, plus a brief mention of Dog. Obviously, Mrs. Columbo
comes up a lot in this episode, but we also get a few glimpses of the car and
two “Just one more things”, one of which is literal. Someone also describes
Columbo as “fumbling”, but I don’t think that counts for the trope. Also,
Columbo does shed his normal brown suit and raincoat for a black suit, which
obviously makes sense in context but is always odd to see. At least he looks
pretty good in it…?
Other: *The
rain that takes place during the funeral scene may be atmospheric, but it’s
very clearly fake. Not only does Southern California not get a lot of rain
(although perhaps it was different in 1990), but there’s a shot that just makes
it look like someone deployed a rain machine during a sunny day. I know you can
get rain and sun at the same time on occasion, but this was just too much of a
muchness.
*Columbo mentions that he and Mrs. Columbo never had
kids, which directly contradicts what he said in “Any Old Port in a Storm”. As
always when it comes to Columbo and continuity about his family, though, we
should always take it with a grain of salt. That is a pretty big thing to make up, though…
*Columbo whips out his glasses at one point to examine
something, and he has to hold them up to his face like a monocle because one of
the arms broke off. That made me smile, because that just seems so very right
for Columbo, even if we never find out how they came to be broken.
*The crew put this tombstone in the shot on purpose,
didn’t they…
I don’t know if that’s a prop or an actual tombstone at
the location, but there’s no way that’s just a coincidence.
Would This Hold Up
in Court?: No, for a wide variety of reasons. Not only did Columbo repeat
several times that he had no solid evidence against Dimitri, but the way he
finally caught her was unquestionably a setup, and a very time-consuming and
expensive setup at that when you factor everything in. There is one piece of
evidence that might result in a conviction, but the setup may cause a problem
when it gets explained to the jury. I guess it’s all going to depend on who the
jury’s more sympathetic to.
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