Saturday, October 28, 2017

Day 223: Columbo, Mind Over Mayhem




Show: Columbo
Episode Particulars: S3EP6, “Mind Over Mayhem”, original airdate February 10th, 1974.

 Summary: The head of the Cybernetic Research Institute, Doctor Marshall Cahill (Jose Ferrer), has just been informed by his colleague Professor Howard Nicholson (Lew Ayers) that there’s a scandal brewing. Apparently Cahill’s son Neil (Robert Walker jr, who I initially mistook for Robert Vaughn and who also looks a lot like his father, Robert Walker senior) claimed another scientist's work as his own, and is about to get an award for “his” discovery. Not wanting this to get out (even though it’s clearly eating away at Neil), Cahill hits Nicholson with an Institute car, then arranges the body inside the house to make it look like it happened during a struggle. The thing is, Cahill may know computers and other technical stuff, but Columbo knows how to read people. And in this case, the latter is a more important skill to have than the former.


Standalone Thoughts: There’s no getting around this one; this is an incredibly dated Columbo episode, and that will color your opinion of it, though not necessarily in a bad way. Most Columbo episodes are fairly timeless, because despite the cars, fashion, and various other signs that this was made in the 1970’s, Columbo’s methods could work in any era. Even when something outdated like a typewriter does show up, it’s more of an oddity than a distraction. Here, however…not only does the whole thing revolve around a super-computer that probably has less processing power than a modern digital alarm clock, but Robbie the Robot from Forbidden Planet shows up (although he’s going under the pseudonym “Double M-7” for this story). It’s kind of hard not to look at this episode and go “My, how things have changed!”, while also noting that some of the things have sort of come true, like technology doing a lot of our work for us or cars running on something other than gasoline. Plus, with Robbie and the name “Double M-7”, you wind up getting reminded of other movies, so it can be kind of hard to focus on the episode itself. That being said, this all adds a certain charm to proceedings, which might not be the case for everyone and definitely wasn’t what the writers intended at the time. Still, I don’t think these elements make it totally unwatchable today.

(I wonder what the reaction to the episode was back in 1974. Did people say it was ridiculous because it was too unrealistic? And how many people who saw it then look back now and say “Were things really like that back then? And how the hell did we get from there to here?”)

If you do finally manage to pay attention to the meat of the episode, I’d say it’s a mixed bag. If the motive for Nicholson’s death was Cahill protecting his son, then either the writers or Ferrer’s performance didn’t do a good job in getting that across in an emotional sense. It felt more like what Nicholson had said; that Cahill was a bit distant and more concerned about the shame Neil’s plagiarism would bring to the family and the institute rather than his son's feelings. This means that some of the things that happen near the end of the episode ring false, and therefore makes the solution feel less satisfying. Similarly, it seems odd that Cahill continues to believe that Columbo is an idiot, when other people in the Institute can clearly see otherwise. Maybe the writers were trying to go for “Book smart but not people smart”, but they don’t actually sell it, which again makes things feel a little off. Combine that with everything I mentioned in the first paragraph, and you get something that’s interesting to watch but not always easy to understand.

I’m not entirely sure how I’d rank this episode. It’s got more things going for it than “Lovely but Lethal”, but it didn’t have the same entertaining quality as “Publish or Perish” either. Maybe I’ll just put it in an “impossible to judge fairly” category and leave it at that. After all, it’s hard to look at Columbo meeting a robot and not acknowledge that this is out of the ordinary for the show.

Number of “Columbo-isms”: A very varied 5/6. Columbo’s dog (who is now pretty much officially confirmed to be just named “Dog”) hangs around but doesn’t contribute much to the case save for a bit of misdirection; Columbo talks about his wife (and kids); there’s a scene and discussion surrounding Columbo’s car; and not only does Columbo literally say “Just one more thing”, it happens at least two other times, and one time it’s said by Cahill instead. But the most interesting one is the “fumbling” trope. Columbo asks to borrow someone’s handkerchief and fumbles around in his coat on a separate occasion, but more importantly, he lampshades the fact that he was always losing pencils when he announces that he’s switched to a tape recorder instead of his notebook. But later on in the episode…the notebook’s back with no explanation. The tape recorder still gets used a few times, but I have the very distinct impression that it’s not going to be sticking around. We’ll see if I’m right or not.

Other: *I’m honestly not sure how effective Robbie/Double M-7 would be at typing on the keyboard. Based on what we see in the episode, his pincer hands hit several of the keys, which in theory should cause problems. But it never comes up in the episode, so I guess we’re supposed to just handwave it away. Eh, why not, this is a minor point compared to the fact that there’s a robot in the episode, after all.

*There’s a moment when Columbo, while talking to someone else, says something along the lines of “Don’t worry, you’re not a suspect” while glancing directly at Cahill. It’s one of those little bits that just makes me grin, because it’s simultaneously subtle and unsubtle. I always love it when people can pull that off.

*I know it’s probably just a massive coincidence that the child prodigy (Lee H. Montgomery) is named Steve Spelberg, given that at this point Steven Spielberg had only directed a handful of things post “Murder by the Book” and was a year away from rocketing into the public eye with Jaws (although I believe Duel had been well received). Even so, I can’t help but wonder at how similar the names are.

Would This Hold Up in Court?: Yes, in the sense that Columbo got a confession. But the method he used to get that confession is actively described in the episode as a frameup, and that might not sit so well with the lawyers. Plus, there’s not really a lot of hard evidence, so without that confession, they’ve got nothing. Although I would be amused to see Robbie the Robot in court…

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