Show: Columbo
Episode
Particulars: S3EP7, “Swan Song”, original airdate March 3rd,
1974.
Standalone
Thoughts: I like this episode a fair bit, although I think it’s less to do
with the case and more to do with the chemistry between Columbo and Brown. I
don’t know if it was the writing or Cash’s acting, but Brown is a very charming
man and has a lot of warmth to him, which makes his interactions with Columbo
very pleasant to watch. It also helps that he genuinely seems to like Columbo,
which is a refreshing change. I do think Columbo’s assessment of Brown at the
end of the episode doesn’t quite jibe with what we saw throughout the episode,
but it’s close enough that I’m not going to raise a fuss about it.
I’m also not going to raise a fuss about the sudden
“twist” in the last act of the episode, even though it can be seen as padding
and manufactured tension. This is because for once, the tension is not on the
murderer’s end, but on Columbo’s. Brown planning to go on tour throws a wrench
into Columbo’s plans, and seeing him rattled is an unexpected but interesting
development. It shows that Columbo can be fallible, and while that wasn’t a priority
with TV writers at the time, it allows for richer characterization, and I will
always get behind that.
Other than those two things, there’s not much more to say
about the episode. Brown’s motive is understandable, but doesn’t necessarily
paint him in a good light (thought this is saved by the writing/acting, as I
mentioned). There’s also some material that relies on coincidence, but at least
it feels plausible instead of coming out of nowhere. Overall, this episode is
pretty good on all fronts. And if nothing else, you can just sit back and enjoy
Johnny Cash’s singing.
Number of
“Columbo-isms”: 4/6, all fairly straightforward uses of the car, Mrs.
Columbo, fumbling around in his coat, and “Just one more thing”. I’ve got no
commentary to add today, so let’s just move on.
Other: *There
are some weird shots in this episode, and not of the arty variety. It feels
like some of the early scenes, like Brown’s concert or shots of the plane, were
shot with a different film stock or had a filter stuck on it. There are even
times when the shots look like they were comprised of models or stock footage.
Then there’s a scene where a character unlocks and opens a cabinet, and not
only does it have a different look, but it feels like it was sped-up, silent
movie style. I’m not sure what was going on there, but it’s definitely
distracting.
*Columbo tells a funeral director that it’s his wife who
does the shopping in the family, which goes against what we heard in “Double
Exposure”. However, I’m not necessarily going to call that bad continuity,
partly because Columbo will say what he thinks will get him the best results,
and partly because in this case, he was trying to get the director off his
back. That’s one advantage of Columbo’s character; there’s a justification for
his contradictions.
*We do get the return of Columbo’s tape recorder from the
previous episode, albeit not in a note-taking capacity. Whether or not it
returns again remains to be seen.
Would This Hold Up
in Court?: Yes, because Brown was caught red-handed. That being said,
Columbo did kind of set him up, which the courts might frown on. But since I’ve
established that I’m no expert on law, I could be wrong about that.
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